The Painter’s Paradox is based on the fact that Gabriel’s horn has infinite surface area and finite volume and the paradox emerges when finite contextual interpretations of area and volume are attributed to the intangible object of Gabriel’s horn. Mathematically, this paradox is a result of generalized area and volume concepts using integral calculus, as the Gabriel’s horn has a convergent series associated with volume and a divergent series associated with surface area. The dimensions of this object, which are in the heart of the above mentioned paradox, were first studied by Torricelli. To situate the paradox historically, we provide…